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A lot in the way of characterization and development gets sacrificed to make Anderson's style work his movies tend to be about stock characters talking in clichГ©п»їsВ in familiar situations-п»їп»їп»їand, unlike the work of a Pop / camp fetishist like Roland Emmerich, it's all done with a completely straight face. It's certainly a lot of fun, though not exactly profound. Composed in crisp visual shorthand, Anderson's movies are about images:В strong, stoic-faced women meting out violence п»ї characters executing somersaults through the air tiny figures venturing into vast, foreboding spaces.п»ї

FILM RESIDENT EVIL RETRIBUTION FULL

His last film, The Three Musketeers 3D (2011), was the crassest, most ludicrous adaptation of Alexandre Dumas' novel imaginable: quick, silly, chock full of mechanical traps, flamethrowers, air ships and other cheesy sailpunk bric-a-bracп»ї.В It was also the most personal, because in the process of chucking out Dumas' knottiness and ambiguity-п»їп»їalong with the deaths of several major characters-п»їп»їAnderson transformed The Three Musketeers into a barely-recognizable vehicle for his own aesthetic predilections.п»їДЄnderson's work may not have a lot of narrative substance, but his visual sensibility is so well-developed п»їthat it often doesn't matter form is substituted for theme. Anderson makes lively, unpretentious mid-budget genre movies fixated on video-gamey 'cool' and distinguished by their leanness and their inventive-п»їand sometimes even poetic-п»їuse of space.

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